So, I watched Schindler’s List again yesterday, and now I’ve got to talk about it. Wonderful. The first real question is, where do you even think about starting? It is, in my opinion, a very powerful movie. I’m glad I was able to see it twice, because I think I needed that second viewing before I could really start processing anything.
In spite of this, a comprehensive review is out. Now, when you read this, you’ll think that that is just exactly what I tried to do . . . Trust me, it isn’t. The movie is over three hours long . . . there’s a ton that I left out.
What I tried to pay particular attention to the second time through was the development of Oskar Schindler himself. Who is he made out to be from the beginning? How are we shown this, over and over, in the opening hour or so? What key events lead him to a change of heart, and how do we see that manifesting itself? What is the real difference in his personality, if any, by the end of the movie?
In trying to catalogue this while I watched, a few other things intrigued me. First, there were the many parallels between Schindler and Amon Goeth . . . I wondered what it was that made them so different. Second, I was struck particularly by the character of Itzhak Stern. What is the key contrast between him and the other two?
This is going to be long . . . just so you know.
Continue reading ‘Schindler, Goeth, and Stern: Individual vs. Community in Schindler’s List‘


