I’m pretty late to the party this year, but that’s okay, because the show hasn’t happened yet!
This year there are only 8 Best Picture nominees, down 1 from the last two years:
American Sniper – Clint Eastwood directs Bradley Cooper as Chris Kyle, who became the most lethal American sniper in history during his service in Iraq. One of the reasons I’m writing this so late is that I’ve been trying to craft a response to this film, which troubled me deeply. And one of the reasons that’s been so difficult is because of the immense controversy and heat of the conversation that have surrounded it. I’ll save the rest of what I have to say for that forthcoming post, but I assume that the controversy has damaged its chances at the big award. As for the rest, who knows? It has 6 nominations: Best Actor, Best Adapted Screenplay, Best Editing, Best Sound Editing, Best Sound Mixing.
Birdman – Michael Keaton plays a washed-up actor who walked away from a massively successful superhero franchise many years ago, and is now struggling to make a comeback by directing and starring in a Broadway play. But that summary doesn’t really do justice to how weird and wonderful this film is. There are so many great performances in it, as the acting nominations attest, and Iñarritu employs a device that creates the illusion of the film being done in a single, unbroken shot (a gimmick that I will admit I’m a sucker for). The result is hilarious, tragic, and extremely surreal. The film has 9 nominations: Best Director, Best Actor, Best Supporting Actor, Best Supporting Actress, Best Original Screenplay, Best Cinematography, Best Sound Editing, Best Sound Mixing.
Boyhood – Richard Linklater spent 12 years making this ultimate coming-of-age story, which follows protagonist Mason from age 5 to 18 as he grows and changes and life unfolds around him. Nothing quite like this has ever been done before, telling a story that stretches over such a long period with a single group of actors aging with it. The closest I’ve seen is Michael Apted’s “Up” series of documentaries. This is certainly Linklater’s masterpiece, which is high praise indeed considering some of the other films he has produced. At 165 minutes, it is by far the longest of the nominees, but you hardly notice, because it is also the most ambitious film to be nominated in years. Boyhood has 6 nominations: Best Director, Best Supporting Actor, Best Supporting Actress, Best Original Screenplay, Best Editing.
The Imitation Game – Chronicles the life of Alan Turing, a British mathematician who was instrumental in cracking the German enigma code during World War II, but who died in obscurity several years later after suffering the indignity of an indecency trial for homosexual activity. I quite enjoyed this movie, but it is supremely middle-brow Oscar-bait without a doubt. You can spot the places where the historical reality was punched-up for drama a mile out, and the unnecessary voice-over narration relies on a somewhat clumsy device that makes very little sense in context. The title manages to be simultaneously too on-the-nose (“Oh, I get it! Because his whole life was like a big IMITATION GAME!” #mindnotblown), and not really relevant to the story they’re telling (being a reference to Turing’s famous theories about artificial intelligence, which gets shoe-horned in apropos of nothing towards the end). Also, Benedict Cumberbatch (whose work I love) should not be nominated for playing a character he has played several times before. This movie has a bizarrely effusive 8 nominations (almost none of which are remotely deserved): Best Director, Best Actor, Best Actress, Best Adapted Screenplay, Best Editing, Best Production Design, Best Original Score.
The Grand Budapest Hotel – The adventures of the legendary concierge of a legendary hotel, and his lobby boy, during the years leading up to World War II. I can’t rave about this movie enough, so I’m not even sure I should try. It is far and away my favorite film of the year. I’ve seen it probably 6 or 7 times already, and I look forward to many more viewings. If I had written much of anything here during the past several months, it would almost certainly have been something in praise of this film, which I hope to discuss more fully on The Moviegoings Podcast at some point. It should win all of its 9 nominations, and was robbed of several more: Best Director, Best Original Screenplay, Best Cinematography, Best Editing, Best Production Design, Best Costume Design, Best Makeup, Best Original Score.
Selma – Dr. Martin Luther King organizes a march in support of voting rights for African Americans from Selma, Alabama to the capital, despite intense, even violent, opposition from local and state officials, and pressure from the president. It’s hard to overstate the importance of this film and its depiction of the Civil Rights Movement as motivated and led by courageous black people. It’s weird that that’s the case, but I can point to virtually no famous or popular feature films about civil rights that don’t have a white protagonist, which is (to say the least) a pretty severe distortion of the actual history of civil rights. And, on top of that, the film is magnificent and moving. Yet somehow, it has an appalling 2 nominations, uncommon but far from unheard of, even for films as worthy as this one. The other nomination is for Best Original Song.
The Theory of Everything – Explores the relationship between Stephen Hawking and his wife Jane as his health deteriorates and his genius soars over the course of several decades. This is what every romantic biopic I’ve ever seen is going for, and very few of them achieve: A beautiful blend of brilliant performers with great chemistry, a strong supporting cast, and an excellent script (and a lovely soundtrack, too). Top-notch. It has 5 nominations: Best Actor, Best Actress, Best Adapted Screenplay, Best Original Score.
Whiplash – A young, ambitious drummer is pushed to the limit by a belligerent music professor who will cross any line to transform potential into greatness. I was very excited to see Whiplash, and even more excited that it actually showed up in my town not too long after I first heard about it, and I was not disappointed. On the contrary, I was totally blown away by this movie’s intensity, great jazz, and J.K. Simmons’ spectacular performance. The ending in particular left me feeling completely breathless, and I eagerly anticipate experiencing it again at some point in the future. If it weren’t for The Grand Budapest Hotel, I’d have a hard time choosing between this and Selma for Best Picture (personally, anyway . . . neither is likely to win). It has 5 nominations: Best Supporting Actor, Best Adapted Screenplay, Best Editing, Best Sound Mixing.
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